Reflecting on how quickly time passes, Nebraska-based plein air painter Debra Joy Groesser is a bit amazed to realize that she celebrated her studio’s 20 th anniversary in December 2017. Her studio and her home are located in Ralston, a one-square mile incorporated town with a population of approximately 6,800 near Omaha that her husband Don has served as mayor for the past 21 years. The upper level of the building, which encompasses approximately 700 square feet, houses Groesser’s studio, framing area, and a small office. It includes four north-facing windows and two more on the east wall that provide
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Archives for Oil
‘Celebrating God’s Creation’
We’re surrounded by it, and yet we don’t see it—the brilliant colors of leaves in the fall, the magnificent glow of a sunset, the snowy banks along a creek. We know it’s there, but we take it for granted, as we go about our busy lives. And we feel it—sun shining on our faces, wind blowing through our hair, crashing waves sending a misty bouquet of shimmering water through the air. Mother Nature beckons us to enjoy and appreciate the wonders she has to offer, but all too often we ignore those offerings, as we go about our busy lives.
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Ode to the Old West
Rumor has it that David Edward (Ed) Kucera created his first mural at age 5. The proof no longer exists but, as the story goes, he was sequestered in his room as punishment for mischief and mayhem. So, he did what any aspiring artist might do; he saw his bedroom walls as a blank canvas on which to paint a masterpiece. Although his mother wasn’t the most ardent fan of her son’s artistic effort at the time, that foray into really big art might be why today he prefers painting large canvases. Despite this early accomplishment, art wasn’t Kucera’s first
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Distant Memories
Kyle Polzin has been painting professionally for about 15 years now, delighting collectors with his wonderfully executed still life pieces that feature a magical mix of everything from flowers, flags, and feathers to boots, blankets, and bowls. Each painting is beautifully lit and masterfully detailed. We have featured Polzin and his work three times over the years, much to the delight of readers, who appreciate and applaud his skill in composing and painting pieces that stop you in your tracks, compelling you to study every detail and appreciate the magic of his brush. Not surprisingly, Polzin’s paintings sell as quickly
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‘Let There Be Light—and Color’
“Color and light are everything in a painting.” So says Tom Murray, whose paintings are proof of his belief in that statement. They are alive with color, whether he is depicting sundown over a canyon, spring in the desert, or the majesty of the Grand Canyon. Viewers are immediately drawn to the vibrancy of his work—red clouds, purple mountains, the explosion of color that is both exciting and mesmerizing. It’s no surprise that Murray’s paintings have captured the attention—and enthusiasm—of collectors throughout the country, who eagerly await each new work. Tom Murray Maricopa Point Vision Oil 64″x48″ “The majestic Grand
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‘I Love What I Am Doing’
Although Tom Dorr ranks among the nation’s most prolific painters of Western art, the Phoenix-based artist, who was born in Chicago, Illinois, and spent his early years in Kansas City, Kansas, had little affinity for subjects west of the Mississippi. That changed, when his father’s employer, AT&T, transferred the family to Colorado Springs, Colorado, in the early 1950s. “I was about 12, when we arrived in Colorado, and by then I had already discovered my love for painting and drawing,” Dorr says. “At that time, there were still a lot of old farms and ranches in the area, so I
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Perfect Pitch
The thing about Gene Speck’s art is that, although it’s been dubbed realism, it goes beyond photorealism; it becomes your reality. Once you see one of his paintings, you aren’t just looking at a picture; you’re in another time and space. Speck’s heart and aesthetic nature is inured in a simpler time, when fewer people roamed the earth and had the space to do so. As a result, his paintings reach out and touch the viewer with palpable beauty and reality that in our hurried and fragmented lives seem to be long lost. Speck’s ability to immerse himself in his
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Joyful Creativity
Laura Robb’s still life paintings are anything but still. Magnificently composed and masterfully executed, they come alive with vibrant colors, an exciting blend of shapes, strategically placed light, and intriguing brush strokes. They are a visual feast that have earned Robb a myriad of awards and that continue to challenge and excite her as much today as they did 30 years ago. When it comes to choosing the objects she will include in her paintings, Robb focuses on visual values, selecting them based on their visual appeal rather than their narrative value. “The most important qualities I look for in
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Passion and Prestige
When you finish reading this article, take a moment to clear away all the background distractions you’re able to eliminate. Open the magazine, or your browser, to one of Z.S. Liang’s paintings. If you’re a collector fortunate enough to own one of his works, go stand in front of it. Take in, for a few minutes, the sun-washed faces and the buckskin-clad figures, the moody skies and the red earth, the fur-trimmed clothing and the high-spirited horses, the surrounding scenery. Do your best, knowing what you know about Native American history, to piece together the story you are witnessing. Every
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The Studio of Joseph Henry Sharp (1859-1953)
Nestled between the shimmering peaks of the Sangre de Cristo Mountains and the precipitous gash of the Rio Grande Gorge, the light-filled Taos Valley exudes a mystical feeling that has lured peoples to this enchanting location for hundreds of years. By 1335, the Tiwa-speaking Indians had permanently settled into homes in the Taos Pueblo and soon were followed by Spanish conquistadors, explorers such as Kit Carson, and, eventually, colonists from Mexico, who founded the adobe village of Taos in 1615. Few in number, residents of that sleepy little settlement never could have imagined that, three centuries later, their livelihood would
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