In June of 1973, Clark Kelley Price had just worked a spring roundup in Montana. He had four paintings in his truck and decided to stop at the Jensen Gallery in Jackson Hole, Wyoming, on his way home to Utah. He was bedraggled, but he entered the gallery and wandered around, admiring the artwork it housed. A staff member approached him and asked, “Are you an artist?” “Yes, I am,” Price responded. “I can tell by the way you’re studying these paintings,” she said. “What kind of art do you do?” Read the full article in the November/December 2023 issue.
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Archives for Genre
Embracing the Challenge
Paul Van Ginkel will tell you he’s an all-in kind of guy. Every time he does something, he challenges himself to do it better than ever before. That kind of tenacity and ambition paid off in early March when Van Ginkel, who lives in Calgary, Alberta, Canada, learned that he’d been nominated for the prestigious Lieutenant Governor of Alberta Distinguished Artist Award. The winner will be honored at a ceremony in September. Although he’s not a stranger to awards—there have been many—he was particularly pleased that his patrons were so insistent on nominating him to be recognized for his outstanding
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‘The Ball Just Kept Rolling’
Russell Smith’s original career plan was to become an aeronautical engineer so he could design airplanes. That changed after he took a few art classes during his first year of college. “I realized I didn’t want to design them, I wanted to paint them,” he says. And that’s just what he’s been doing for more than 20 years. His depictions of early aircraft—combined with the people and land of the West—are wonderfully crafted and carry with them a captivating energy, excitement, and perspective. His paintings, fueled by an early love of aviation, have earned him several awards but the real
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A Compelling Medium
With its mix of pigments and powders, pastel preceded all other mediums. The proof is on the walls of caves painted with mineral oxide pigments. Pastel is the only medium for painter and mountaineer Nori Thorne, a longtime collaborator with nature and paint. From the gritty, finger-staining application to its flexibility and even its fragility, pastel is the mode of choice for Thorne, who finds herself celebrated in a genre often associated with large-format oils or bold acrylics. “We’re really the red-headed step-children of the art world,” she says. “But pastel has been around since we were humans. That’s what’s
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A Journey Through History
“I love where we have come from,” says Brian Bateman. “History is the catalyst for all of my work—the men, women, machines, and how they intertwine.” That love of history took hold when he was a young boy and continues to drive him as he captures the past in paintings that feature everything from the West and Native Americans to mountain men and military aircraft. What makes those paintings unique is that he often combines two or more subjects in one painting, and he looks forward to combining aircraft within his Western work. Growing up in Dayton, Ohio, Bateman’s initial
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Looking to the Skies
Canadian artist Ross Buckland developed his love of the land while growing up on a farm in Ontario. “I was always looking at the sky or at the colors on the ground,” he says. He’s still looking at the sky and the ground but now he’s sharing what he sees through his paintings of landscapes, wildlife—and airplanes. “Aviation became a passion for me, and so did drawing,” Buckland says. “For summer vacations we would go to visit our grandparents in Calgary. The airplane flight was the most exciting part of it. I wanted the window seat so I could see
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The Adventure Continues
Last fall, Lee Alban took a trip to Jackson Hole, Wyoming. Although he and his family had traveled through the Tetons back in the 1970s and had explored some of the National Parks out West in the early 1990s, he hadn’t yet been to Jackson Hole. The purpose of the trip was to participate in the National Oil and Acrylics Painters Society’s Best of America exhibition. It was Alban’s first trip to Jackson Hole, and he was eager to see the city and gather photographic reference materials he could use in future works. But it wasn’t just the quintessential beauty
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Beautifully Authentic
Monte Moore describes his art career as a large tree. After so many years as an illustrator—and so much more—he says, “I started growing another branch.” That new branch is his career as a fine artist who captures the people and wildlife of the West in a myriad of mediums, including acrylics, pencils, oils, bronze, and mixed media. The Colorado artist, who was born in Phoenix, Arizona, in 1971, considers himself blessed to have had parents who encouraged him and instilled in him a love of art, particularly Western art. A year after Moore was born, his father bought a
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‘I Will Always Have My Art’
If you walked into a particular Coeur D’Alene office building at 4 a.m., you would find Western artist Tobias “Toby” Sauer already hard at work. He faces an easel, surrounded by beaded moccasins, feathered headdresses, and a bear claw necklace that hang from the walls. Sauer began to make his own Native American accoutrements in late 2020 in order to correct inaccuracies he saw at reference photo shoots. “They would have women’s clothes on a man—and artists would paint it,” says Sauer, who conducts extensive research to ensure his creations are faithful to the cultures he depicts in his paintings.
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The Studio of Mark Maggiori
During the past two years, Mark Maggiori has found himself setting up his studio in two different garages. One is the studio of his dreams, located in Taos, New Mexico, and renovated to meet his exact specifications. The other is a more temporary arrangement, with his workspace nestled into a garage in Los Angeles, California. While both have been productive places for Maggiori to work on paintings for his upcoming one-man show at Legacy Gallery, it’s the Taos studio he wants to talk about. He, his wife Petecia, and his daughter Wilderness moved to Taos in 2020. They had found
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