Archives for Landscape

Spirit and Splendor

A couple of Ralph Waldo Emerson quotes really speak to oil painter Ron Rencher. One of his favorites is this: “Though we travel the world over to find the beautiful, we must carry it with us or we find it not.” Rencher currently is in hot pursuit of the beautiful; he’s in the middle of a move to Taos, New Mexico, a place he once lived and still considers his artistic home. During a visit with him in early May, Rencher said he and his wife Carlene were in the thick of moving-related business: renting the U-Haul, closing on the
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Beautiful Moments

For nearly 20 years, Utah artist Nicholas Coleman has created realistic paintings, with impressionistic overtones, as he preserves the history of the American West. His Western history and art education began at his father’s side. “[My dad] was always buying me sketchbooks, or we’d go to the art store and get colored pencils or clay,” Coleman says. His father also bought him history books and told stories of cowboys, Native Americans, and mountain men to expand his son’s knowledge of the country’s heritage. As early as age 3, Coleman worked alongside his father, renowned artist Michael Coleman. The younger Coleman
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Passion and Paint

Churches and cemeteries hold a special fascination—and offer a special inspiration—for Walt Gonske, so much so that he has traveled to several states and foreign countries to capture their beauty and, in essence, to tell their stories. That fascination took hold almost immediately, when Gonske moved from New York City to Taos, New Mexico, 47 years ago. Having spent the first 30 years of his life on the East Coast, he was so taken with New Mexico that, when he visited his sister there in 1971, he went home, saved his money for a year, and made a permanent move
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The Studio of Giuliana Aubert

Giuliana Aubert loves her new studio at her home in Manhattan Beach, California. It’s one of two; the other is at her home in Lake Como, in northern Italy, where she spends four months each year. Two studios? It’s what artists do, she says, adding, “We try to figure out how to have our working space where we live.” Initially, Aubert painted in a bedroom, then graduated to the dining room, and eventually to the great room—where people passing by on the street could watch her at work, which she hated. Later, she work in a public studio that, she
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Luminescent Landscapes

As a young mother looking to launch a professional art career in the late 1990s, D. Eleinne Basa did what most people would do: She sought advice from the Internet. “A lot of the advice on the web was the same: Join a local painting group,” she says. “So I looked for a group.” Basa, who was born and raised in the Philippines, had moved to New Jersey with her husband in 1994, so he could pursue a job opportunity. She had studied art since she was a child and always knew that someday she would become an artist. But,
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Mother Nature’s Majesty

California artist Nancy Davidson says she can describe what inspires her in just one word: light. “It can transform even the most mundane scene into something magical and evocative,” she says. “The potential for beauty is all around us; we just need to recognize it, when it appears.” A self-described nature lover, who is surrounded by the spectacular scenery of Southern California, Davidson says that, “beyond an appreciation of natural beauty, I try to convey a sense of timelessness and wonder. When I am at the beach, watching the waves roll in just as they have since time immemorial, I
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Mother Nature’s Majesty

Colorado artist Jean Perry made her initial entry into fine art with abstract “nonobjective art,” she says, “but there was always a part of me that felt I was missing something by not pursuing traditional art.” Her focus began to change while taking a weeklong workshop conducted by Mel Fillerup, and she went on to enroll in workshops and classes that focused on representational art. “Today it doesn’t matter whether I am standing on the side of a hill in Portugal or by a stream in Colorado, there is always a certain excitement about painting landscapes on location,” Perry says.
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The Studio of Paula Holtzclaw

Five days a week, Paula Holtzclaw takes a seat at her easel and paints on location. Her setting is an idyllic one in the North Carolina countryside, about 20 miles south of Charlotte, a place of lush gardens and slow-moving clouds, and verdant farmland. She paints there at all times of the day, but she particularly loves the dusk, when the light falls and the colors deepen. Where is this magical place? It’s in Holtzclaw’s house; it’s her studio. Although she has been in her current studio for well over a decade now, she still speaks of it with gratitude
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Mother Nature’s Majesty

“There is so much in the wilderness that is relative to life. It’s hard, messy, and wondrous, but strangely there is a perfect order to it all. Whether I am on the middle of a lake, floating down the river, climbing a mountain, or simply sitting on my front porch, reveling under the big sky, it all makes me think deeply. I find purpose and passion in the landscape; it is inherently who I am.” So says Montana artist Brooke Wetzel, who adds that she and her family “live where the winters are hard, but the inspiration is endless. The
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Mother Nature’s Majesty

W. Jason Situ was born in Kaiping, China, where he was faced with the changes and challenges brought about by the country’s cultural revolution under Mao Tse Tung. His interest in art took hold, as he copied propaganda and slogan banners, before connecting with Szeto Lapa, who introduced him to plein air painting and, later, with Mian Situ, who became his mentor. Eventually, Situ was able to study at the Guanzhou Academy of Fine Arts, where his style evolved into impressionistic realism. Fast forward to 1989. Situ left China and immigrated with his wife Lisa and their two children to
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