Laurie Lee’s art career took root while she and her husband Bryan lived for more than 45 years in Frannie, Wyoming, a small town—population 150—on the Montana border. They raised three children there, while also running the family’s natural gas business. Today, she and Bryan live in Powell, Montana, not far from Frannie. Lee has not moved far geographically but, artistically, she has come a long way as she creates paintings that tell stories, ask questions, and are beautifully crafted. A solid career in oil paintings that depict a range of visual moods—from pensive portraits to moody nightscapes to vivid
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Archives for Landscape
Glory of the Skies
Two days after Thanksgiving 2022, Arizona artist Linda Glover Gooch was up to her neck in details: finishing a large commission for a local patron, starting another large commission, preparing her online classes, and managing her Black Friday sale. “It’s been such a whirlwind, I just haven’t had time to stop and think,” she says. “But it’s a good kind of busy.” Gooch took time to reflect on the many changes in her life and art, and she’s thankful for all of it—the good and the not so good. Her art career started with an epiphany when she was 13
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The Studio of Logan Maxwell Hagege
Working in his studio—a 2,000-square-foot space located about 100 feet from his home in Ojai, California, Logan Maxwell Hagege creates award-winning paintings that vibrate with color. Through his use of limited detail, he invites viewers to interact with his images, to become actively engaged as they fill in spaces that he has purposely left unfilled. “I’m trying to see how little I can put in and still get the point across,” Hagege says. “My paintings are interactive; viewers use their imaginations. They play a role in how the painting is seen.” Hagege was born and raised in California and studied
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New Man, New Artist
With colors that swerve up, literally, from the canvas in thick swooshes and splatches of oil paints, Mateo Romero knows full well his paintings aren’t everyone’s cup of gallery cappucino. “I had a dealer in Arizona, and the person who worked in the gallery told me, ‘I think you’re wasting a lot of paint,'” Romero recalls with a slight laugh. For the past six years, the Santa Fe, New Mexico, artist has been working in a unique method of portraying Southwestern landscapes and forms. His primary tools are oils, applied thickly on canvas with palette knives rather than brushes. The
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Renaissance Man of the West
Western artist Charles Dayton clearly recalls the exact moment art went from part-time hobby to potential vocation. “[Utah landscape painter] Karl Thomas came over to my house,” he says, referring to an event that took place more than 20 years ago. “He’d found out that I was doing some painting—just starting, just some basic things. “I brought out a couple pieces to show him what I was working on—I think it was a mule deer and something else—and he just got kind of quiet. I thought, ‘He’s figuring out how to let me know I shouldn’t quit my day job.’
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Wandering the Colorado Plateau
Lorenzo Chavez is an admired landscape painter living in Parker, Colorado. A native of New Mexico, he fell in love with Colorado when he studied at the Colorado Institute of Art in 1983, graduating with honors. He started working as a commercial artist out of school, then turned to fine art in his mid-20’s and has been doing that ever since. This past April, Gallery East at the University of Utah Eastern in Price, Utah hosted an exhibition titled “Wandering the Colorado Plateau,” featuring 45 works from artist Lorenzo Chavez. Each piece was inspired by or painted on location in
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Inspiring and Uplifting
Echoing the wisdom in Shakespeare’s “Hamlet,” “To thine own self be true,” Arizona-based painter Mitch Baird emphasizes, “As an artist, I don’t want to be pigeonholed. I simply want to be open and free to paint whatever I see—landscapes, figurative works, still life or whatever else motivates me.” He says, “Paintings are a communication between artist and viewer, and great artistic communication depends on solid draftsmanship, design, and vision. What I strive for in each painting is to create a positive visual statement, and hope that the viewer will experience what I see and be inspired, uplifted, and moved in
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Pushing the Color
“I do a couple of shows a year,” says New Mexico-based oil painter Mejo Okon. “The rest of the time, I’m just trying to do cool stuff.” That statement is not a hollow boast. Okon has just wrapped up a courtroom sketching gig for a high-profile trial in Colorado and is now back home in Albuquerque painting. She recently dabbled in acting as well, playing a courtroom sketch artist in the upcoming “Coyote vs. Acme,” an animated/live action movie. “Today I’m working on colorizing some of my seventy-plus drawings from the trial,” Okon says, going on to offer some background
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Flying Free
I was given a guitar when I was 5; it was my first creative outlet. As I got older, I would take my guitar into the acres of woods and creeks in my backyard, where I was transported to a place free of the cares I thought I had as a 13-year-old. When I vanished into the woods, emerging hours later, I felt like I had gotten to fly free for a while. Today, a couple of hours are hard to come by, and when I have it, there is not enough time to reset…to fly free. Quiet places—I’m seduced
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‘I Paint What Excites Me’
Getting to the Prix de West International Art Exhibition last June wasn’t easy for Ron Kingswood. His home near Sparta, Ontario, is almost 1,150 miles from the National Cowboy and Western Heritage Museum in Oklahoma City, Oklahoma—and travel between Canada and the United States had become more challenging since the start of the COVID-19 pandemic in 2020. But it was worth the trip for Kingswood and his wife Linda. His painting, A Morning Walk, earned the Major General and Mrs. Don D. Pittman Wildlife Award for exceptional artistic merit for a wildlife painting or sculpture at the show. “I was
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