The view from Tom Browning’s new studio is worth the price of admission. OK, he doesn’t really charge admission, but if he did, it’d be worth it. Browning’s studio sits atop the home he and his wife Joyce recently built near Bend, Oregon. The couple returned to Oregon in 2014, after a sojourn in Arizona, and lived in a rental home while searching for a spot to build a home of their own. They obviously hit pay dirt on some prime real estate. Tom Browning (Oregon) Barry Oil 18″x15″
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Andre Kohn’s art teachers at Auburn University figured out quite quickly that he was not a typical student. His drawing and painting skills were already so well developed that they told him to come to class only on the first and last days of the semester. “They said that there was nothing they could teach me,” Kohn says. His English teachers, however, saw much more of Kohn. “I stayed in English 090 for five quarters before I passed,” he admits. “That was much harder for me.” Kohn enrolled at Auburn at the age of 20, shortly after arriving in the
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For want of a door to close, Sonya Terpening’s studio was born. Really. How would you feel if you left work at night and your work stood outside your kitchen begging you to return, demanding your undivided attention? That is pretty much the experience Terpening had until a little more than a year ago when her work life changed for the better. Terpening is excited about her new studio, having recently taken over the master bedroom on the second floor in the Grapevine, Texas, home she has shared with her husband Mark for 28 years. In many respects, Terpening believes
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Last fall was an especially memorable time for Logan Maxwell Hagege, whose surname hints at his French ancestry. He married Misty Zollars, who owns a denim company that makes women’s jeans. And he earned the Best of Show Purchase Award at the 2015 Quest for the West Exhibition at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana. His colorful Native American image, Land With No Time, is now included in the museum’s permanent collection. Hagege also is a regular participant in the Masters of the American West exhibition at the Autry National Center for the American
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When Gladys Roldan-de-Moras’ husband Rafael couldn’t attend the 2015 Qwest for the West Show with her, she invited her sister to join her. It was Roldan-de-Moras’ first showing at the prestigious event at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana, and she was in awe of the other artists and their work. At the awards ceremony, she leaned over to her sister and said she could never get up on stage to accept an award and then have to say a few words to the crowd. Turning back toward the presentation, Roldan-de-Moras was shocked to
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Throughout her life, voices have spoken to J. Peralta, acknowledging her talent and urging her to create art. Fortunately, she paid them the attention they deserved and, in doing so, changed the course of her life. The first was the voice of her kindergarten teacher who, after taking note of Peralta’s incredibly detailed drawings, announced to Peralta’s mother, “She will be an artist.” The next would come many years later and would provide the encouragement Peralta needed to pursue art and, in the process, to share with the world paintings that showcase her brilliant use of color and light. “It
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Utah sculptor Blair Buswell’s initial response to having his studio immortalized within the pages of a magazine was, “It’s just a warehouse.” But warehouses, as utilitarian and functional as they are, just store stuff. This warehouse look-alike has far more grandiose aspirations. To the uninitiated observer, from the outside the wonders that reside within are not apparent. But, it’s a different story once you take a look inside. Over the years, Buswell has had six or seven studios, ranging from extra bedrooms to office buildings, historic homes, and even the downstairs of a dentist’s office. With every move, the best
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Known for evocative historical paintings that depict the lives of the Eastern Woodland Indians and non-native settlers, who lived in the region surrounding his home in Western Pennsylvania during the 18th century, John Buxton, like several successful fine artists, began his career as a commercial illustrator. Determined to pursue his childhood dream of becoming a professional artist, in 1959 Buxton journeyed west to begin formal art studies at the Art Center College of Design in Los Angeles, California. Getting his priorities straight a few years later, Buxton returned to his studies and earned his Professional Arts Degree in 1962, which
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A drive to yoga class about 10 years ago provided an aha moment for Teresa Elliott. As she drove by a pasture of longhorns, she was so taken by what she saw that she returned the next day and took photographs of them. “There was a bull there,” she says. “It was hot, and he was miserable and stomping his feet. I took a snapshot and went back home and that was my first painting.” Little did Elliott realize how popular her longhorn portraits would become, how eagerly collectors would seek them out. She painted them because she loved them
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Imagine, if you will, that you receive a phone call from someone telling you that you soon will be receiving a gift. When that gift arrives, you open it and find inside millions of dollars worth of artwork—paintings by the likes of Frederic Remington, Charles Russell, N. C. Wyeth, and Howard Terpning, along with magnificently crafted Native American artifacts. You are stunned. You are thrilled. And you are grateful. That is exactly how the folks at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana, felt when the attorney for the estate of the late K. S.
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