Oreland C. Joe is committed to three things in life: his family, his art, and encouraging young Native Americans to preserve their culture. “The most valuable lesson one could ever learn in any field,” he says, “is to give your success back to the children and the community.” That is
During a visit last October, Susan Lyon made three admissions. The first is that she never considered herself a natural artist. She hadn’t impressed anyone with her drawings as a child. She wasn’t the student who was always chosen to illustrate the school yearbook cover or design the hallway mural.
As has often been said, timing is everything. This was especially true in the case of Utah artist Jason Rich. As he’ll tell you, the stars aligned, and his time as a career artist came quickly—before he had even finished his college education. But let’s step back and follow the
There’s only so much time you can spend driving, trying to find that perfect barn,” says Joseph Alleman, whose very livelihood depends on the quality of barns he’s able to locate and depict. Sometimes he renders them in dense, saturated watercolor; more often, he uses oils to achieve the opaque
Given the diverse range of her talents and commitments—oil and pastel painter, workshop instructor, novelist, and current President of the Women Artists of the West—it’s not surprising that Mary Ann Cherry loves the opportunities she enjoys by having two working studios. She does the majority of her creative work in