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  • Mar 02 2020
    0
    Hitting Their Stride
    Jenny Lang

    Hitting Their Stride

    Maybe it’s using complementary colors. Perhaps it’s painting in black and white or sepia tones. Maybe it’s diving deeply into
    Category  :  2020 March-April Issue, Delehanty, Sandy, Figurative, Genre, Gilbert, Jessica, Gutting, Abigail, Oil, Portrait, Watercolor, Wildlife
  • Mar 02 2020
    0
    The Power of the West
    Vicki Stavig

    The Power of the West

    “I was born a storyteller.” So writes Mark Kohler in his book titled “Going West.” And he tells those stories
    Category  :  2020 March-April Issue, Figurative, Genre, Kohler, Mark, Oil, Portrait, Watercolor, Wildlife
  • Mar 02 2020
    0
    Western Nouveau
    Mary Nelson

    Western Nouveau

    To understand Thomas Blackshear II’s segue into Western art, you need to understand his storied career. It seems that the
    Category  :  2020 March-April Issue, Blackshear II, Thomas, Figurative, Genre, Mixed Media, Oil, Portrait
  • Mar 02 2020
    0
    It’s A Beautiful Life
    Clover Neiberg

    It’s A Beautiful Life

    Shanna Kunz’s landscape paintings tend toward the complex and moody: winding rivers lit by an unseen sun, autumn foliage beneath
    Category  :  2020 March-April Issue, Kunz, Shanna, Landscape, Oil
  • Feb 28 2020
    0
    Monumentally Magnificent
    Sara Gilbert Frederick

    Monumentally Magnificent

    On the night in 1987 that Bill Nebeker announced an edition of 25 castings of his sculpture If Horses Could
    Category  :  2020 March-April Issue, Bronze, Figurative, Nebeker, Bill, Sculpture, Wildlife
  • Dec 13 2019
    0
    Winter Wonderland
    Vicki Stavig

    Winter Wonderland

    Something magical, almost mystical occurs with a snowfall. It brings with it great joy, which is readily apparent when you
    Category  :  2020 January-February Issue, Cotton, Brent, Landscape, Mendlik, Kami, Moore, Jay, Moses, Jennifer, Oil, Smith, Matt, Turner, Cecy, Wildlife
  • Dec 12 2019
    0
    ‘My Art is About Messages’
    Vicki Stavig

    ‘My Art is About Messages’

    Oreland C. Joe is committed to three things in life: his family, his art, and encouraging young Native Americans to
    Category  :  2020 January-February Issue, Alabaster, Figurative, Joe, Oreland, Oil, Portrait
  • Dec 12 2019
    0
    ‘How I Got Here’
    Sara Gilbert Frederick

    ‘How I Got Here’

    During a visit last October, Susan Lyon made three admissions. The first is that she never considered herself a natural
    Category  :  2020 January-February Issue, Acrylic, Charcoal, Lyon, Sue, Lyon, Susan, Oil, Portrait
  • Dec 12 2019
    0
    Mixing It Up
    Mary Nelson

    Mixing It Up

    As has often been said, timing is everything. This was especially true in the case of Utah artist Jason Rich.
    Category  :  2020 January-February Issue, Jason Rich, Oil, Portrait, Rich, Jason, Wildlife
  • Dec 12 2019
    0
    Joseph Alleman Perfectly Imperfect
    Clover Neiberg

    Joseph Alleman Perfectly Imperfect

    There’s only so much time you can spend driving, trying to find that perfect barn,” says Joseph Alleman, whose very
    Category  :  2020 January-February Issue, Joseph Alleman, Landscape, Oil, Wildlife
  • Dec 12 2019
    0
    The Studio of Mary Ann Cherry
    Myrna Zanetell

    The Studio of Mary Ann Cherry

    Given the diverse range of her talents and commitments—oil and pastel painter, workshop instructor, novelist, and current President of the
    Category  :  2020 January-February Issue, Mary Ann Cherry, Oil, Portrait, Wildlife
  • Dec 05 2019
    0
    The Studio of  Jim Rey
    Vicki Stavig

    The Studio of Jim Rey

    Jim Rey has painted in a variety of studio spaces: a bedroom, an alcove, a family room, a garage, even
    Category  :  2019 November-December Issue, Genre, Oil, Portrait, Rey, Jim
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