Archives for Genre

Art, Pure and Simple

Robert Pummill is an artist—no fanfare, no frills, no desire to grandstand his art or his artistic ideas. Chatting with the Texas artist, you might begin to think he’s taciturn, but you quickly realize that’s not the case. He isn’t interesting in tooting his own horn; he just wants to paint. “I just try to make a good picture that someone enjoys looking at,” Pummill says. “I’m not trying to send a message, and I’m not trying to do something so different that it creates a niche for me.” He goes on to explain that he paints because he wouldn’t
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A Glimpse of My Soul

The setting sun paints dramatic colors on the nearby 7,000-foot peaks as Karin and Wayne Hollebeke wrap up their ranching chores. Pumping water by hand from their well, they are both reminded of the pioneer lifestyle that was once prominent in this part of rural Utah. The Hollebeke ranch is certainly quieter since Wayne retired from law enforcement nine years ago. The cattle are gone and only three horses remain. But gardening and canning are still high on the list as summer winds down, and after that there might be a little daylight left for fly-fishing. With fewer ranching responsibilities,
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‘The Pioneer Spirit is Alive and Well’

Sheep wandering through Aspen groves in their high mountain pasture, knee high snow drifts blanketing hillsides and valleys, a cowhand working a herd of cattle, youngsters doing their daily chores. These scenes are familiar to artist Grant Redden, whose paintings celebrate the pioneer traditions and unspoiled beauty found in the southwestern corner of Wyoming, where the 53-year-old artist was born, raised, and still resides. Grant Redden (Wyoming) Gathering Potatoes Oil 16˝ by 20˝ “Pioneer girls and their mothers worked hard—as hard as men—to carve out a life and survive. My daughter had to go out and pick potatoes anyway, so
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The Real Deal

“My goal was to go to ranches, hang out, chase cows, and paint. It still is”. So says Tom Dorr, whose cowboy paintings are so eagerly sought after that he struggles to keep up with the demand for his work. While he attributes part of that situation to the fact that he keeps his prices at a reasonable level, there is no denying his skill in portraying the men who are, in essence, his heroes. Tom Dorr (Arizona) Across Shallow Creek Oil 30″ By 40″ Scenery is always a part of the cowboy’s everyday work. The Hassayampa River can be
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Still Riding High

Martin Grelle has realized success beyond his wildest dreams. That success is well deserved, the result of his dedication to, and talent for, depicting the people and land of the West—both historical and contemporary—and of art lovers who willingly and enthusiastically pay hundreds of thousands of dollars to own one of Grelle’s beautifully rendered paintings. Martin Grelle Newlyweds Oil 40″ By 32″ During the Rocky Mountain Fur Trade era, it was a common practice for trappers to take Indian girls as wives. It was a mutually beneficial arrangement, not only for the obvious reasons, but because the girls could look
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I’m Still Fighting the Battle

For Zhuo Liang, art seems to be in his genes. His father, Liang Yongtai, was a noted woodcut artist, who was mentioned in Pearl Buck’s book China in Black and White. His mother also had an art background and served as a musician and composer with the Chinese musicians’ association. And his three siblings are artists, as well. Z. S. Liang (California) Pride Of The Blackfeet Oil 60″ By 32″ The inspiration for this painting was derived from my personal association with these people. Z. S. Liang (California) Preparing For The Confrontation Oil 46″ By 68″ This event dates back
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For the Love of Art

While many great gallery owners and artists make our business special, we chose to visit with a few of them and ask them to share thoughts about what they do. John Coleman (Arizona) 1804, The Newcomers Bronze 37″ High Morgan Weistling End Of Harvest Oil 34″ By 50″ Morgan Weistling Emmie’s Rose March/April 1999 Howard Terpning (Arizona) Among The Spirits Of The Long-Ago People Oil 42″ By 40″ Frank Johnson Night Time In The Canyon Oil 24″ By 18″ Bill Anton (Arizona) Branding At Red Bluff Oil 16″ By 20″
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I Paint Heroes

Historical artists are a different breed. That’s one of the first things David Wright will tell you, and he has more than three decades of credibility to back him up. David Wright Red Mountain Trapper Oil 30″ By 24″ David Wright Scouting For Prime Pelts Oil 36″ By 60″
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Honoring the Master: A Retrospective

I take my work very seriously, but I don’t take myself seriously. Take awaymy paintbrush, and I’m no different than anyone else. Howard Terpning (Arizona) Medicine Man Of The Cheyenne Oil 48″ By 40″ The medicine man held a very important position in any tribe. He was, in effect, a combination doctor and minister, or priest. He knew about the healing properties of plants, and he knew the ceremonies, chants, and songs that wielded magical powers for the benefit of individuals, or the whole band. Howard Terpning (Arizona) Cheyenne At The Disappearing Creek Oil 50″ By 40″ In the 19th
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I Just Want to Paint

Richard Thomas points to a plaque on the wall in his Montana studio that, he says, has “been with me forever.” The words on that plaque not only describe artists in general, they are a commentary on Thomas’ career. Richard Thomas (Montana) First Light Oil 30″ By 40″ This is early morning’s first light on a Blackfeet encampment in Montana. The setting for this piece is not far from what is now just outside my studio. Richard Thomas (Montana) The Day’s Mounts-Three Forks Oil 30″ By 44″ In this painting, I depicted riders picking up their mounts on the morning
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