Harper Henry sees gold in everyday things, both figuratively and literally. Her stylized and visually rich depictions of animals and other Western subjects, some of them set against backdrops that incorporate materials such as gold leaf, represent the creative product of someone who is continually collecting and sifting through the things of day-to-day life, as she searches for a telltale glint of something precious. She’s always on the hunt for the proverbial flash in the pan—an expression that had its origin during the Gold Rush, a formative period in the very landscapes that inspire her art. “When an artist is
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Archives for Wildlife
Creating A Legacy
Some people follow sports teams, some follow the stock market. Award-winning artist Mark McKenna follows a herd of wild horses that roams the McCullough Peaks not far from where he lives in Cody, Wyoming. “Just last week, I was able to get some great reference shots of this stallion named Sargent, who recently won over a group of horses from another stallion,” says McKenna, who describes Sargent as being mostly black with significant white markings, including a mane that shifts from black to white to black. “If you’ve ever been around a wild horse, they have so much character, especially
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The Studio of Gerald Balciar
When we last spoke with wildlife sculptor Gerald Balciar in 2017, he was excited about developing a new bronze patina to capture the distinctive hue of bluebirds. The birds nest in the many boxes that Balciar and his wife Bonnie have placed around their 10-acre ranch in Parker, Colorado. “Oh yes, I’ll be doing more and more bluebirds,” he said at the time. Six years later, Balciar has made good on that promise. When we caught up with him to learn about his studio—a 40′ x 60′ metal pole barn with seven rooms—the 80-year-old artist was in the process of
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Big Vision, Big Energy
To truly appreciate a piece of Brenna Kimbro’s art, you first have to back up, way up, taking in the full scope of the thing. Then you have to get up really close, cheek to jowl, observing the fine details that comprise the entire creation. Zoom out, panning from nose to tail; zoom in, picking up the dancing of hooves, the flare of a nostril. These paintings and sculptures, many of them larger than life, are the work of an artist who clearly has no reservations about taking up space. “My tendency is to make things enormous,” Kimbro says. “I
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‘The Harder You Work, the Luckier You Get’
“It’s another day in paradise,” says sculptor and gallery owner Ken Rowe, savoring his view of Sedona, Arizona’s, snowcapped mountains. “We’ve been here 28 years now, and I never tire of it.” A self-described Arizona boy through and through, Rowe was born in Phoenix to an electrical engineer and an amateur painter—a combination Rowe credits as foundational to his art. “Growing up, without even knowing it, I had this wonderful influence of the mechanical aspect of life through my dad’s career and the artistic pursuits from my mother’s side.” Although his mother never made a career of her painting, she
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Art and Authenticity
In the action, beauty, frailty, or majesty, Jim Bortz infuses into his oil paintings a quality that results in sunlight landing perfectly, flowing river waters the viewer can almost hear, and animals that are more than reproductions. That quality stems from his immersion into the wild outside his home in Cody, Wyoming. Bortz spends countless hours hunting, hiking, and taking photos that provide critical references for his work. “I spend a ton of time in the field,” he says. “I study the animals I put in my paintings. I want to know their biology; I want to know their habits,
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Preserving the Art of Copperplate Engraving
“My passion lies in documenting the beauty of my subject matter, which is primarily threatened and endangered species of wildlife and the culture of the American West,” says Don Whittecar. “My medium, copperplate engraving, is also disappearing. While most people are aware of conservation efforts for wildlife and their habitats, few are aware of the need to preserve vanishing art forms.” Engraved copperplate image printing is almost an extinct art form, and Whittecar is one of few artists in the world who practice it. Printmaking is a broad term referring to many different processes that include lithography and monotype. A
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Beauty is the Goal
“The most consistent source of my inspiration will always be nature.” So says Aaron Blaise, who spent most of his career as an animator for Walt Disney Feature Animation before turning to fine art and capturing everything from small birds and big cats to elephants and moose in a beautifully realistic style. “The natural world, for me, is an escape,” he says. “It’s a source of wonder and, ultimately, my greatest inspiration for all of the work I do, whether it be painting, drawing, or animation. The creatures we share our planet with are so diverse and beautiful and such
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Beautifully Authentic
Monte Moore describes his art career as a large tree. After so many years as an illustrator—and so much more—he says, “I started growing another branch.” That new branch is his career as a fine artist who captures the people and wildlife of the West in a myriad of mediums, including acrylics, pencils, oils, bronze, and mixed media. The Colorado artist, who was born in Phoenix, Arizona, in 1971, considers himself blessed to have had parents who encouraged him and instilled in him a love of art, particularly Western art. A year after Moore was born, his father bought a
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Tuning In
Oil painter Kimberly Beck kicks off most workdays with a three-mile walk. “There’s a reservoir near our house and, if I get up early, I can get there and back and still get to work on time,” she says. “You see all kinds of birds there. You start to learn the regulars of the neighborhood. “Last summer, I caught Cooper’s hawks mating. The female was gathering all these twigs, and I figured out where the nest was. For the rest of the spring, I was able to observe the nest, until the male started charging me. I think he literally
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