I was given a guitar when I was 5; it was my first creative outlet. As I got older, I would take my guitar into the acres of woods and creeks in my backyard, where I was transported to a place free of the cares I thought I had as a 13-year-old. When I vanished into the woods, emerging hours later, I felt like I had gotten to fly free for a while. Today, a couple of hours are hard to come by, and when I have it, there is not enough time to reset…to fly free. Quiet places—I’m seduced
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Archives for Oil
‘I Paint What Excites Me’
Getting to the Prix de West International Art Exhibition last June wasn’t easy for Ron Kingswood. His home near Sparta, Ontario, is almost 1,150 miles from the National Cowboy and Western Heritage Museum in Oklahoma City, Oklahoma—and travel between Canada and the United States had become more challenging since the start of the COVID-19 pandemic in 2020. But it was worth the trip for Kingswood and his wife Linda. His painting, A Morning Walk, earned the Major General and Mrs. Don D. Pittman Wildlife Award for exceptional artistic merit for a wildlife painting or sculpture at the show. “I was
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Patterns of Light
On a hot July day in Livingston, Montana, landscape artist Aaron Schuerr took a much needed break. Work during the past month and a half—well, really the past year—had found him scrambling to keep up with his projects. A major one was a painting for the grand opening of the Illume Gallery West in Phillipsburg, Montana. Schuerr did, however, make time to join other grand opening artists in painting at the ranch that gallery owners, Jane Lundgren and her husband Mark, own. Schuerr does what he loves and loves what he does. But there’s more to the man than creating
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Capturing the Cowboy Culture
It’s not often you find common qualities with oil painting and bull riding—but you do when you meet Western painter Brandon Bailey. “It’s a lot of self-doubt and fear,” he says of bull riding. “There’s no one there to make you get on that bull. With art, it’s the same type of thing, whether you’re sitting at the canvas or walking into a gallery; it’s the same type of feelings and the same type of emotions you come across.” In the decade-plus since he left rodeo riding, Bailey has made a full-time living working as an artist, with things progressing
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‘Light is Everything’
When Sue Krzyston and her husband Mike moved into their new house in Phoenix, Arizona, the bare walls were begging to be filled. Having taken a six-month painting class, and at Mike’s suggestion that she replace the starkness of those walls with her own paintings, Krzyston got to work. Soon their new home was filled with colorful creations. And so it began. Those paintings led to a passionate pursuit of painting, of creating vibrant still lifes that, combined with her love of Native American artifacts, have become a driving force in Krzyston’s life. Her paintings quickly attracted the attention and
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Nature and the Human Soul
In some ways, personally and professionally, Sally Vannoy’s life might seem like a fairytale. She married the man of her dreams in a beautiful setting in Glacier National Park, was accepted into the Society of Animal Artists as a Signature Member on her first attempt, and has seen her works hang beside original Charles M. Russell paintings at the famous Triple Creek Ranch. As in many classic stories, however, the heroine had to leave her comfort zone in order to reach her potential. “I had the most amazing childhood and family life growing up,” says Vannoy, who grew up with
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Beauty Abounds
Three years ago, artist Howard Friedland and his wife Susan Blackwood—also an artist—moved from Bozeman, Montana to Bella Vista, Arkansas. The couple had lived in Bozeman since getting married in 1998 and loved everything about it—especially the spacious studio they shared in their home there. But they had grown weary of the heavy snowfalls that often extended into April and May and of the smoke from Western forest fires that made plein air painting a challenge during the summer months. When they visited Jeff Legg, an artist friend, at his home in the Ozarks, they realized that relocating to Arkansas
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The Studio of John Fawcett
In late May, after a four-day drive from their home near Gettysburg, Pennsylvania, John and Elizabeth Fawcett happily drove through the gates to their home in Clark, Colorado. It’s an annual event that includes pulling a large horse trailer occupied by the couple’s two horses and all of Fawcett’s paint supplies. “We looked like the Beverly Hillbillies,” he says with a laugh. Located on a 52-acre ranch the Fawcetts named Double LL—which Fawcett says stands for Lucky (me) and Lizzie (Elizabeth)—the property is 25 miles north of Steamboat Springs. Willow Creek runs through the ranch and attracts deer and elk,
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Painting and Peace
Sherry Harrington has a strong affection for Texas, where she was born, raised, and continues to live. Vast fields of Texas Bluebonnets or cowboys herding cattle, however, are not the subjects of her paintings. She much prefers to fill her canvases with portraits of beautiful Native American women and children. “I have always loved people, but I am especially drawn to depicting members of the tribes in the desert Southwest—the Navajo, Apache, Cheyenne, and Sioux to name but a few,” Harrington says. “Perhaps this is due in part to the fact that my paternal grandmother was half-American Indian. Even as
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An Artist on a Mission
As a young child, Joe Kronenberg drew voraciously. Today, as an adult, he is an artist on a mission. “As an artist in the 21st century, I strive to create paintings that embody the aesthetic and objective standards of the 19th century European academic art world,” he says. It’s a style he believes has been lost in an instant-gratification world. Growing up in the Pacific Northwest, Kronenberg filled his room—as well as the rest of the house—with realistic artwork of the area’s grandeur. In his mind, it was just a matter of time before he would become an artist. That
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