Rett Ashby Evening Graze Oil 40″ By 60″ Heather Coen Horse Creek Pastel 12″ By 16″ Colleen Howe Bleinberger Mountains Layers Oil 30″ By 40″ Paula Holtzclaw (North Carolina) The Pointe At Dusk Oil 12″ By 24″ Kami Mendlik Sure Sign Of Fall Oil 16″ By 20″ Frank Serrano String Lake Atmosphere Oil 10″ By 12″
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Happily working from his home studio, situated between two wineries in Penticton, British Columbia, Terry Isaac couldn’t be more pleased with his life—personally and professionally. He realized success early in his career and, now married and the father of four, his days are filled with the wonderful chaos that comes with an active family and the joy that comes with sharing his love of nature through his paintings. Terry Isaac (Canada) Full Steam Ahead Acrylic 27″ By 20.5″ This piece was inspired by the geothermal activity in Yellowstone National Park. I am a bit of a closet geologist and am
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Kathleen Dunphy is as vibrant and colorful as the paintings she creates. Kathleen Dunphy (California) Caddis Hatch Oil 24″ By 48″ Fly fishing and plein air painting are the perfect combination, and my husband and I have found beautiful places to do both. Several trout were caught during this painting session, leaving both of us happy with our morning’s work. Kathleen Dunphy (California) Chasing Rainbows Oil 15″ By 30″ I don’t often add figures to my landscapes, but this anonymous fisherman stepped into the scene right when my study needed just a little more punch to make it complete. His
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The life that Dean Mitchell knew in the poverty stricken rural area where he grew up in many ways can be glimpsed by looking at his art. Dean Mitchell (Florida) Snow Hills Watercolor 20″ By 30″ I love the white of the snow on the land in winter. It is beautiful, airy, and peaceful. Dean Mitchell (Florida) Winter On Gillham Road Watercolor 12″ By 16″ This winter scene is in the greater Kansas City area, about a block or two from the Nelson Atkins Museum of Art. I traveled this road many times when I was a teacher at the
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Montana artist Josh Elliott has a tag line for his art: “Nature’s truth filtered through the artist.” Josh Elliot (Montana) St. Mary Shores Oil 18″ By 36″ I enjoy painting scenes where you can see the connection of the foreground to the background. Josh Elliot (Montana) Floating Gold Oil 20″ By 20″ Blue and gold is a pleasing color combination. I tried to make an interesting composition. Dividing a painting with half water, half land is typically not recommended. Because the patterns of light and dark are varied, the painting doesn’t look split in half and stagnant.
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Born in Heidelberg, Germany, in 1958, and raised in Monroe, Louisiana, Heide Presse is one of a long list of renowned artists, who first honed their talents in the field of commercial art. Heide Presse (Florida) Transition Oil 12″ By 9″ This painting features a mid-19th century teen, still young enough to wear the low neckline common for children’s garments, but transitioning into a young lady with her hair up and wearing one of her mother’s shawls. This is one of my antique paisley shawls, which were very popular in this era. Heide Presse (Florida) The Sound Of Wings Oil
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Wanderlust, combined with a love of nature and an incredible natural artistic talent, made Edgar Alwin Payne (1883 – 1947) one of the most sought after and celebrated of California’s early plein air painters. Edgar Payne Canyon Mission Viejo, Capistrano, N.d. Oil 24″ By 28″ Private Collection Courtesy of The Irvine Museum. Edgar Payne Sierra Peaks Oil 42″ By 42″ Collection of D. L. Stuart Jr.
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Matt Smith Shadow Creek Falls Oil 30″ By 22″ Charles Muench Sierra Patterns Oil 24″ By 30″
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As artistic careers go, Daniel Mundy’s didn’t come to fruition until he was almost 45 years old, despite a life spent painting and dabbling in various art forms. It’s not that Mundy didn’t love the patterns and colors of the sky, or the nuances of form and color that shadows cast on the light; he just hadn’t quite figured out yet that he was an artist. Daniel Mundy (California) A Field In Bloom Oil 24″ By 30″ A few years ago, I happened on this field of poppies in late afternoon light. I jumped out of the truck, threw up
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With the Sierra Nevada mountain ranges, the vineyards of Sonoma Valley, or the Big Sur coastline as his backdrop, Kevin Courter never wearies of painting the majesty and diversity of the California landscape. Kevin Courter (California) Moonlight Oil 20″ By 16″ Nocturnes are a common theme of mine and are especially intriguing when utilizing the subtle light of a full moon. I enjoy pushing the subtle color shifts and warm hues in these scenes. Kevin Courter (California) Dance Of The Pacific Oil 12″ By 18″ Eucalyptus trees are one of my favorite trees to paint. I love their graceful lines
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