A Riding Tradition
I’ve been riding with friends near Moab, Utah, for 30 years, mostly in Professor Valley, 15 miles east of town on the Colorado River. Last year’s riders included artists June Dudley, Cindy Long, Marlin Rotach, a few family members, and me. The artists represent a solid core and have come
His Art Speaks for Itself
Duke Beardsley doesn’t really have a name for what he creates. “People say things like the new West, contemporary West, all these things,” he says, while declining to offer his own alternative labels. “I never really think about what to call it.” Instead, Beardsley lets his art speak for itself—and
A Grand Affair
Twenty-two years ago, while driving from a workshop in Wyoming to her home in California, Amery Bohling took a detour and stopped at the Grand Canyon. She had visited the natural wonder when she was 12, and wanted to revisit it as an adult. That spur-of-the-moment decision was to have
Putting Scratchboard on the Map
Like most people in their 20s, Colorado wildlife artist Nelson Tucker spent many of those years carving out his own identity. Today, carving is vital to his art. “I’m going to stick with scratchboard for a while,” he says. “I’ve always had a love for black and white and love
A Love Story
Texas artist Tony Pro is currently preparing paintings he will exhibit at Night of Artists at the Briscoe Western Art Museum in San Antonio, Texas, in March. It’s his third year in the show, and he’s excited about it, calling his works for that event a love story to the
Beyond the Paint
During the past 25 years, Judith Dickinson has painted portraits of hundreds of people—including some for celebrities. She’s painted Arnold Schwarzenegger, the governor of Colorado, and federal judges. She’s also done three commissions for TV’s Judge Judy who once sent her private plane from Florida to Colorado to pick up
All is Well in Paradise
Scott Rogers has heard “the voice” speak to him twice. Both times it changed his life. The first time came about after he had purchased a sculpture created by his uncle, Grant Speed. He had seen the sculpture, entitled Rough String, in 1982 and knew he had to have it
The Studio of Teresa Elliott
A perky, curious French Charolais, swirling the reflective water it’s churning through, gazes over Teresa Elliott’s shoulder. She’s not outside, but the half-finished, 23” by 30” painting of the cow that sits on her easel feels at home in the dry, open landscape outside her studio window. Elliott’s studio overlooks
