He’s young, he’s enthusiastic—and he’s talented. At just 29, Adam Smith is making quite a name for himself with his wildlife paintings, and he’s more than a little thrilled at having the opportunity to partake of everything involved in that process, from travel to research to the actual creation of his realistic renditions. Adam Smith (Montana) Hide and Seek Acrylic 24˝ by 30˝ “Wolves are in their prime during the winter months. A little game of hide and seek will soon give chase.”
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When she was a senior in high school, Barbara Edwards met a recruiter from Utah State University, who had brought with him original artworks created by several of the professors there. Included was what Barbara describes as a “gorgeous painting by Glen Edwards.” Today, whenever she wants to view one of his paintings, all Barbara has to do is turn her head. She and Glen have been married for 37 years now and happily paint in the same studio at their home north of Salt Lake City, Utah. “We paint side by side,” she says. “Our easels are about five
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Edward Aldrich, or Ned as anyone who spends more than five minutes in his company calls him, has been an artist, mostly a wildlife artist, for the past 25 years. It is all that he ever aspired to do. It’s the only kind of work he’s ever done. “If the economy doesn’t turn around pretty soon, I may be in trouble, because art is all I know,” Aldrich says with a laugh. Although he always loved art, and it was always his focus, the defining moment came for Aldrich during adolescence. When models were brought into his art class, his
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Last November when Daniel Smith was roughing it at the Tundra Buggy Hotel at Cape Churchill, Canada, he was just doing what comes naturally to a wildlife artist —research. Some of his companions on the Arctic excursion were professional polar bear researchers, so Smith had the benefit of scientific knowledge as he observed the bears up close and personal. Having traveled to Africa seven times, as well as journeying to Alaska on several occasions, Smith knows there is no substitute for those in-person treks to keep him fresh in his painting. He’s already scheming to get to Svalbard, Norway to
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Sherry Sander marvels at how her life has unfolded, grateful to be able to sculpt animals and do what she loves. Sherry Sander (Montana) On The Jump Bronze 15″ High By 16″ Wide We had a pretty little Springer named Buddy, who loved to take us for walks in our grain fields. With her nose to the ground, intersecting our straight path left to right and back again, she walked in the hope that there might be a flush to experience. Sherry Sander (Montana) A Dissonant Descent Bronze 12.5″ High By 8″ Wide In music, dissonant might refer to notes
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If variety is the spice of life, then New Mexico-based painter Jeff Segler can certainly lay claim to having one of the most flavorful careers in the world of fine art. Although he earned a Bachelor of Fine Art degree from the University of Alabama in 1977, Segler travelled a long and winding career road before opening a studio just off Santa Fe’s Canyon Road and assuming the status of full-time artist more than two decades later. Jeff Segler The White Shirt Brigade Oil 32″ By 32″ Granville Stuart owned the DHS Ranch east of the Judith Mountains in Montana.
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Happily working from his home studio, situated between two wineries in Penticton, British Columbia, Terry Isaac couldn’t be more pleased with his life—personally and professionally. He realized success early in his career and, now married and the father of four, his days are filled with the wonderful chaos that comes with an active family and the joy that comes with sharing his love of nature through his paintings. Terry Isaac (Canada) Full Steam Ahead Acrylic 27″ By 20.5″ This piece was inspired by the geothermal activity in Yellowstone National Park. I am a bit of a closet geologist and am
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Art and animals—the two are inseparable as far as sculptor Mick Doellinger is concerned. Although art and animals have always been his destiny, his path to career artist was anything but conventional. In fact, it’s the stuff legends are made of. Mick Doellinger (Texas) Excel Bronze 32.5″H By 51″L By 24″W I was commissioned to create this piece for an international marketing company. It stands in the lobby of the company’s headquarters to remind associates of their commitment to excellence. Mick Doellinger (Texas) Full Of Himself Bronze 21″H By 26″L By 9″W With this piece, I wanted to portray a
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As this roper worked his magic during our dry summer, the dust swirled and obscured everything until his pale horse merged with the sunlit haze. It was a rare opportunity to see the abstraction of shadows and to paint a light-toned cowboy vignette with great lines and tension. I’m looking forward to exploring this artistic concept further. Krystii Melaine (Washington) Pale Roper Oil 28″ By 28″ As this roper worked his magic during our dry summer, the dust swirled and obscured everything until his pale horse merged with the sunlit haze. It was a rare opportunity to see the abstraction
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While many great gallery owners and artists make our business special, we chose to visit with a few of them and ask them to share thoughts about what they do. John Coleman (Arizona) 1804, The Newcomers Bronze 37″ High Morgan Weistling End Of Harvest Oil 34″ By 50″ Morgan Weistling Emmie’s Rose March/April 1999 Howard Terpning (Arizona) Among The Spirits Of The Long-Ago People Oil 42″ By 40″ Frank Johnson Night Time In The Canyon Oil 24″ By 18″ Bill Anton (Arizona) Branding At Red Bluff Oil 16″ By 20″
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