Acclaimed sculptor James G. Moore—Jim to friends, family, and a growing population of enthusiastic collectors—is leading a very good life, enjoying a mix of work and play that any creative person would envy. “My great joy is to be on the water,” he says. “I kayak; about twice a week I’m on some kind of boat.” On the days Moore isn’t paddling one of two nearby rivers (both the Wenatchee and the Columbia flow an easy drive from his home), he’s apt to be in one of his two studios. “My metal shop is where I make all the racket,”
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Archives for Wildlife
‘Color is Everything To Me’
In early August, Kathy Anderson was hard at work in the studio at her home in Redding, Connecticut. She had just returned from a 12-day reunion in Montana with members of the Rocky Mountain Plein Air Painters and was preparing to head to Vermont the following week to paint with the Putney Painters. Anderson was also working on a painting for a show in October and that afternoon was scheduled to give a video tour of her studio for the Scottsdale Artists School. Later that week she would be serving as an awards judge for a local art show. And,
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Chasing Perfection
There are things you have to give up if you’re going to run a ranch, raise a family, and pursue a career as a wildlife artist all at the same time. Chad Poppleton, who took over the operations of his dad’s ranch in northern Utah’s Cache Valley a year ago, is doing all three—and doing them well. Most days, he’s up early to do chores and get work done around the ranch. Once those jobs are done, he heads to his studio and paints for several hours. Then he loops back to the ranch for more chores and to wrap
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The Studio of Edward Aldrich
After getting married in 2002 wildlife artist Edward (Ned) Aldrich and his wife Kerry set up housekeeping in Golden, Colorado. Within three years, however, they realized they wanted more land, so they moved to a home on a mountainside just west of Denver. The downside of their new home was that its configuration did not allow room for a studio. Aldrich spent the first two years there working in a basement studio, then decided to add additional space to the top of the house. “Working there really spurred me on to get the addition finished,” he says of his basement
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The Studio of Quang Ho
While the United States has been blessed with a multitude of native-born painters, its art heritage has also been greatly enriched by the work of many foreign-born artists, from Nicolai Fechin and John Singer Sargent to Zhiwei Tu and Mian Situ. Another name on the list of foreignborn artists who are sharing their cultural heritage with American art collectors is Quang Ho, who was born in Vietnam and is creating some of the most sought-after works in today’s market. Born in 1963, in Hue, Vietnam, Ho was 12 when he came to the United States with his mother and seven
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Talent Knows No Age
In 2004, after 30 years in the car business, John Marzolf sold his three dealerships and retired. Two years later, however, he was bored and looking for something to do. “I loved art, and I collected art,” he says, “so I decided to buy and sell art.” While visiting the Biltmore Galleries in Scottsdale, Arizona, Marzolf purchased a Frank Tenney Johnson painting for $275,000 and met the gallery’s owner, Steve Rose. “I liked Rose,” Marzolf says, adding that three times he asked Rose to sell the gallery to him. “The fourth time I said, ‘Why don’t you sell it to
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‘I’m Super Excited’
Arizona oil painter Chauncey Homer entered the arena as a professional artist less than two decades ago, but his work has already garnered a strong collector base. His paintings are eagerly sought after and hang in prestigious galleries alongside compositions by masters of the Western genre such as Howard Terpning, Roy Anderson, Robert Shufelt, and R. S. Riddick. The popularity of Homer’s work is due to a combination of his artistic skill and his broad repertoire of subject matter. “I have tried to limit what I paint to five things that I personally love to look at: kids; beautiful women
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A Double Dose of Magic
For four and a half years, Bonnie Conrad had to take a break from painting. She was recovering from an illness that sapped her of her strength and then, as she felt better, she and her husband were building a new home in Mendon, Utah. She painted whenever she could and whenever she was preparing for a show. By January 2020, Conrad was feeling more like herself again, so she started painting more often. And that’s when something magical happened. Read the full article in the July/August 2021 issue. Son Kissed Oil 24” by 30” “This work is about the
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A World of Possibilities
Australians will tell you that stories about the Outback are more truth than fiction. Hardships come naturally in that part of the country; what you learn about life doesn’t always come from a book. “If you don’t put in the hard yards, you will not get results,” says Kathy Ellem, who grew up in Beechworth, a small town about 175 miles north of Melbourne in the state of North Victoria, where her family owned and operated a 100-acre apple farm. “Sometimes nature or the markets seem to be against us but without that effort in the first place we would
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Firsthand Experiences
Kelly Dangerfield was 13 years old when he asked his grandmother to give him his first oil painting lesson. While some grandmothers’ houses are filled with the scent of cookies and pictures of cats, his grandmother Arlene’s house was filled with artwork. A hobby painter, she always had her easel set up and landscape paintings on display when her grandson visited. Dangerfield was intrigued. “She bought me a little tabletop easel and told me to look through these old magazines for a picture I thought was cool,” Dangerfield says, adding that he chose a photo of a high mountain lake.
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